Review of 2-19-2000 episode (MD-517; some spoilers) This review can also be found at: http://www.nic0lesullivan.org/md517.txt By now, you've probably heard about the politically incorrect remarks Jerry Lewis is alleged to have made about female comedians. Specifically, when asked what female comics he liked, he allegedly said there weren't any, and then allegedly stated that he viewed women primarily as baby-producing machines. [I am paraphrasing.] Then, later in the week, we find out that - no - he was misinterpreted; he cited several female comedians, including Elaine Boosler, as examples of female comics he liked. [At this point, it sounds as if someone handed him a list of current female comics.] Personally, I think the neither the public at large nor feminists should judge Lewis too harshly. Lewis is, after all, seventy-three years old, and it is quite possible that the remarks he made may have been caused by any medication he may have been taking. It is also possible that these remarks resulted from the onset of Alzheimer's disease - I am not suggesting that he is suffering from this debilitating disease, only that under the circumstances, it would seem to be a distinct possibility. It is also entirely possible that he made the remarks because he is old and doesn't care what the public thinks anymore, in which case it is only fair that the public's scorn be directed at him, however briefly. In any case, he could have saved himself a lot of trouble if he just said that Nicole Sullivan was his favorite female comic - although this may not be such a good thing, since Lewis is almost universally hated in this country (although oddly enough, he is adored by the French). Of course this is just my opinion. ========================================================================== Opening Segment: Michael McDonald introduces Seth Green, from the "Austin Powers" movies (don't remember the name, but he looks like the guy who plays Dr. Evil's son). McDonald claims that he had "pivotal" roles in both films, but of course Green can't remember him (because he in fact had only small roles in both films). He claims he was a security guard in both movies, but if memory serves, he was a security guard in the first movie and a radar technician in the second movie [I think he was the guy who first detects the presence of Dr. Evil's spaceship]. He even acts out both roles. I laughed when Green refers to him as an extra, a status with which McDonald takes issue. This was an excellent way to capitalize on McDonald's minor role in these movies for a few laughs. [Not to digress, but the "Austin Powers" video also includes a very funny segment not used in the movie where the security guard's family is informed of his death.] The humor here was not subtle at all, yet while unrefined it was probably the funniest opening segment since MD-502. Foundation for Unwed Mothers: In a segment that is reminiscent of a similar segment that ran on "Monty Python" over thirty years ago, the cofounders of a society for unwed mothers (Alex Borstein, Debra Wilson), both of whom have really long names, discuss a syndrome (with a really long name) from which some unwed mothers apparently suffer. The sketch was relatively uneventful until Wilson, ever the resident motor-mouth, flawlessly rattles off several of these long names in a mellifluous manner (echoes of "Talk Faster" from MD-208, in which Wilson accomplished a similar feat). This was enough to elicit applause from the studio audience, suggesting that she did it in one take. Mo Collins and Brooke Totman both appear as unwed pregnant women. I did not think this was quite as funny as the Monty Python sketch but I liked it; I guess it's sort of like wanting a Coke and settling for a Pepsi; nevertheless, it was good. Rusty: Rusty (Michael McDonald) goes to a bar and plays a trivia game with a coed (Mo Collins); he is solidly beating her, until he gets drunk and starts calling her stupid - then she chooses the "sex" category and she easily beats Rusty. His insults, however, are rapidly forgotten when he reveals he has a ten-inch long penis. Per usual, he starts to get drunk without having consumed even a full bottle of Zima. While I still find this character to be annoying, I have to admit the spectacle of Rusty failing to answer any of the sex questions correctly (or to answer them at all) was funny. Also, his thinking that a ten-inch penis is average reminds me of a similar misapprehension I had as an adolescent when I read in Cosmopolitan that all penises are the same size when erect. Thank you, Cosmopolitan, for making my formative years a living hell. Anyhow, this sketch was OK; even the scatological bits had some merit, and even those who actively dislike Michael McDonald probably could get through this sketch without projectile vomiting. The Brightlings: Wheelchair-bound mother and son owners of a greeting card company (Seth Green, Alex Borstein) delight in terrorizing their employees (Debra Wilson, Aries Spears, Will Sasso). They slam into desks, demand that the workers come up with greeting card poems on the spot, and prompt one of the workers to summarily quit. This was not the best idea for a sketch, and to exacerbate the situation, it dragged on for far too long; still, it had its moments, and Green was good in his guest role - but he would have been better utilized if they had come up with a better sketch. Disney Singles: A new tenant in an apartment building (Debra Wilson) stumbles onto a Disney singles club in an apartment across the hall - you see, many of the tenants (Will Sasso, Pat Kilbane, Michael McDonald, Alex Borstein, Tyra Banks, an extra) are obsessed with Disney and are also single. They do Disney charades and serve a phallic-shaped cake that is supposed to be Pinnochio's nose after a really big lie. But the climax of the sketch is when the singles bludgeon "Bambi" (Wilson) to death because she had the gall to state that Disney is gay-friendly and tell a tasteless Disney joke (in an extremely funny moment, the others shudder with revulsion when "Bambi" notes that Disney produced "Ellen"). Maybe it's just because I tend to gravitate a little more towards the topical humor, but I thought this was the funniest segment in the show. This is not to say that it couldn't have been improved on (a shorter, more focused sketch would have been even better), but the good points far outweigh the bad here - perhaps this is even worthy of a "Best of Season Five" compilation. Dolemite in Space: Once again, the bigoted white sheriff and his deputy (Will Sasso, Pat Kilbane) have stolen Dolemite's (Aries Spears) pimping cane - but this time, they've taken it into space. Dolemite gives chase, culminating in a big fight on "planet" Pasadena. Apart from the fact that this installment supposedly takes place in outer space, it also differs from the two other Dolemite parodies in that the band Earth, Wind and Fire appears in the middle of the segment. This was somewhat unexpected, and the lead up to the commercial break where they show a brown sedan with the words "To Be Continued" was funny; they use the same clip even though they're supposed to be in outer space. The attempt to capture the look and feel of low budget blackploitation films is somewhat endearing (especially when they leave crucial bits out, like when Dolemite escapes and when he kills the sheriff's deputy), but the viewer gets very little out of this Dolemite parody that he/she didn't get out of the first two ones (except, of course, for Earth, Wind and Fire). Moreover, this one definitely drags on too long (admittedly, this season leveling this complaint is like beating a dead horse, but in this case, it's certainly a legitimate complaint). Earth, Wind and Fire: Earth, Wind and Fire perform another song. The sad thing is, I remember when this music was popular. This music sounds too much like disco for me, although this band does at least have a horn section, resulting in a somewhat funkier sound. This was OK although with two musical segments in the show "Mad TV" is becoming more and more like SNL; it's also questionable whether or not the majority of the show's viewers (and the producers are aiming for ever-younger demographic groups) even know who Earth, Wind and Fire are. Closing Segment: Michael McDonald asks the studio audience if they got a couple of giggles. Brooke Totman is on stage, but both Nicole Sullivan and Phil LaMarr are absent. This was OK. ========================================================================== MD-517 was certainly not the worst-ever episode of "Mad TV," but it didn't match the expectations I had for a February sweeps period show either. The presence of Earth, Wind and Fire shows that the producers are definitely making an effort in February. But the musical segments also definitely detract from the comedy at a time when the show already has its share of filler - note that most of the time, only one sketch aired before each commercial break, and most of those sketches dragged on too long. And the animated segments, once a regular staple of the show, have been discontinued almost entirely. In fact, almost every element that made the show worth watching in the old days - short, focused sketches, animated segments, and the presence of Nicole Sullivan and Phil LaMarr - were not present in this week's show. [It's questionable whether any segments with LaMarr will air during the rest of the season; perhaps Sullivan will tape some additional segments once "Talk to Me" wraps up but I'm not holding my breath.] And in spite of all these deficiencies, the show was not a total disaster - the Disney sketch and the opening show that the writing staff is capable, though often inconsistent. Brooke Totman was also good in her second appearance on the show, suggesting that the show may still have a future even if more veteran cast members depart (although the material didn't really give the viewer a sense of how much comedic talent she has). Still, I would like to see shorter sketches, less commercials, and hopefully less frequent musical guests once sweeps period is over. [5/10] ========================================================================== Number Six | dzien@nic.com | http://www.nic0lesullivan.org OR | (The Unofficial Nicole Sullivan Tribute Page) info@nic0lesullivan.org | ==========================================================================